Here we are again. Another Spider-Man. Tom Holland is the man/boy in the suit this time as a co-operative partnership between Sony and Marvel means this Spider-Man is part of the MCU. As someone who felt the Amazing Spider-Man series was a little bit mediocre at best I approached this fresh entry with optimism that rookie director John Watt could integrate everyone’s favourite wall crawler into the MCU successfully.
So the gist this time is that Peter Parker is still just a kid, fifteen to be exact, and this is more a coming of age high school comedy than a straight superhero film. Tom Holland makes a wonderful Parker/Spider-Man carrying on the great work from his debut in Civil War. His energy and enthusiasm as the eager to prove himself teenager is an endearing portrayal, and Holland is adept for both the dramatic and comedic requirements of the part. Speaking of comedic, this is the most joke heavy entry of any Spider-Man movie, with lots of great one-liners, physical humour and an ensemble who seem to revel in the films funnier scenes. Newcomer Jacob Batalan is the scene stealer as Ned Leeds (Peter’s best friend), the self-described “Man in the Chair”, who assists Peter in both fighting criminals and building Death Stars out of Lego. When the movie balances it’s John Hughes-esque high school drama with Peter’s struggle to maintain his dual identity it excels, his desperation to prove himself to Tony Stark impacting his judgement severely. Robert Downey Jnr is used sparingly in his role as Peter’s mentor and their developing father/son bond is a highlight of the feature. Peter’s foil in this film is the Vulture, a low-level thug underneath the Avengers radar, who wants to provide for his family. Casting Michael Keaton is rarely a bad idea, and he takes a rather run of the mill part and imbues it with a ruthlessness and callous menace the makes him far more interesting than the script alone would suggest. Whilst the character work of the film is superb (I didn’t have time to gush about the fine work of actors Zendaya, Marisa Tomei, Donald Glover and Tony Revelori) and the films comedy is pretty damn exceptional it’s the action scenes that are the let-down. Spider-Man has a larger variety of firepower thanks to a Stark designed Spider-suit but the clashes between Spider-Man and Vulture lack intensity and inventiveness, especially at the movies climax. This could possibly owe to director John Watt’s inexperience, this being his first big budget film. Homecoming is also a bit too long (For some reason Marvel like the majority of their movies to come in at the 2hr 20min mark regardless of content) and could do with shaving off fifteen minutes.
Spider-Man: Homecoming ranks around the same as Wonder Woman, a solid if unspectacular entry that nevertheless leaves the franchise in a promising position for the future. Holland is certainly right for the part, and the so-called world building means that in a sequel we can leap straight into Peter’s world without introductions. Not quite up to the standard set by the best films of the Sam Raimi Spider-Man trilogy but it’s certainly an upgrade on The Amazing Spider-Man series.